{"id":50529,"date":"2020-01-06T19:31:14","date_gmt":"2020-01-06T19:31:14","guid":{"rendered":"https:\/\/dana.lu\/pl\/?page_id=50529"},"modified":"2020-01-21T19:47:03","modified_gmt":"2020-01-21T19:47:03","slug":"theatre-platonov","status":"publish","type":"page","link":"https:\/\/dana.lu\/pl\/en\/theatre-platonov\/","title":{"rendered":"theatre: PLATONOV"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; admin_label=&#8221;header&#8221; _builder_version=&#8221;3.29.3&#8243; custom_margin=&#8221;-8vh||20px||false|false&#8221; custom_margin_tablet=&#8221;||10px&#8221; custom_margin_phone=&#8221;||0px|&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; fb_built=&#8221;1&#8243; _i=&#8221;0&#8243; _address=&#8221;0&#8243;][et_pb_fullwidth_header title=&#8221;The source of all human action lies in their will.&#8221; background_overlay_color=&#8221;rgba(61,61,61,0.3)&#8221; _builder_version=&#8221;3.29.3&#8243; title_level=&#8221;h3&#8243; title_font=&#8221;|600|||||||&#8221; title_text_align=&#8221;left&#8221; title_font_size=&#8221;38px&#8221; title_letter_spacing=&#8221;1px&#8221; title_line_height=&#8221;1.5em&#8221; subhead_font=&#8221;||||||||&#8221; subhead_letter_spacing=&#8221;1px&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;rgba(26,26,26,0)&#8221; background_color_gradient_end=&#8221;rgba(26,26,26,0.25)&#8221; background_color_gradient_overlays_image=&#8221;on&#8221; background_image=&#8221;https:\/\/dana.lu\/pl\/wp-content\/uploads\/2019\/09\/platonow_header_w2000.jpg&#8221; height_tablet=&#8221;35vh&#8221; height_phone=&#8221;28vh&#8221; height_last_edited=&#8221;on|phone&#8221; custom_margin=&#8221;-8vh||||false|false&#8221; custom_margin_tablet=&#8221;-6vh||||false|false&#8221; custom_margin_phone=&#8221;-5vh||||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;37vh||||false|false&#8221; custom_padding_tablet=&#8221;16vh||||false|false&#8221; custom_padding_phone=&#8221;12vh|||2px|false|false&#8221; 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admin_label=&#8221;Body&#8221; _builder_version=&#8221;3.29.3&#8243; custom_margin=&#8221;||-45px&#8221; custom_margin_tablet=&#8221;||-40px&#8221; custom_margin_phone=&#8221;||-20vh||false|false&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; fb_built=&#8221;1&#8243; _i=&#8221;1&#8243; _address=&#8221;1&#8243;][et_pb_row column_structure=&#8221;1_3,2_3&#8243; _builder_version=&#8221;3.29.3&#8243; custom_margin=&#8221;-2%||||false|false&#8221; _i=&#8221;0&#8243; _address=&#8221;1.0&#8243;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25.4&#8243; _i=&#8221;0&#8243; _address=&#8221;1.0.0&#8243;][et_pb_text admin_label=&#8221;title&#8221; module_id=&#8221;sticky&#8221; _builder_version=&#8221;3.29.3&#8243; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;|600|||||||&#8221; header_2_font_size=&#8221;60px&#8221; header_2_letter_spacing=&#8221;3px&#8221; header_2_line_height=&#8221;1.4em&#8221; custom_margin=&#8221;||||false|false&#8221; custom_margin_tablet=&#8221;-40px||||false|false&#8221; custom_margin_phone=&#8221;-70px||||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; header_2_font_size_tablet=&#8221;50px&#8221; header_2_font_size_phone=&#8221;25px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; _i=&#8221;0&#8243; _address=&#8221;1.0.0.0&#8243;]<\/p>\n<h2>Platonow<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;3.29.3&#8243; text_font=&#8221;|300|||||||&#8221; text_text_color=&#8221;#999999&#8243; text_font_size=&#8221;15px&#8221; text_line_height=&#8221;1.4em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;-2vh||||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; _i=&#8221;1&#8243; _address=&#8221;1.0.0.1&#8243;]<\/p>\n<p><b><span style=\"font-weight: 400;\"><strong>Juliusz Osterwa Theatre in Lublin,<\/strong> <\/span><\/b><\/p>\n<p><b><span style=\"font-weight: 400;\">year: 2012<\/span><\/b><\/p>\n<p><span style=\"font-weight: 400;\">original text: Anton Czechow<\/span><\/p>\n<p><span style=\"font-weight: 400;\">translation from russian: Agnieszka Lubomira Piotrowska<\/span><\/p>\n<p><span style=\"font-weight: 400;\">dramatization: Dana \u0141ukasi\u0144ska<\/span><\/p>\n<p><span style=\"font-weight: 400;\">director: Agnieszka Korytkowska-Mazur<\/span><\/p>\n<p><span style=\"font-weight: 400;\">scenography: Jacek Malinowski<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;3.29.3&#8243; header_font=&#8221;||||||||&#8221; header_6_font=&#8221;Ubuntu|||on|||||&#8221; header_6_text_color=&#8221;#999999&#8243; animation_style=&#8221;fade&#8221; animation_direction=&#8221;left&#8221; animation_duration=&#8221;700ms&#8221; link_option_url=&#8221;https:\/\/dana.lu\/pl\/en\/&#8221; header_6_text_color__hover_enabled=&#8221;on&#8221; header_6_text_color__hover=&#8221;#2ac8ed&#8221; _i=&#8221;2&#8243; _address=&#8221;1.0.0.2&#8243;]<\/p>\n<h6>\u2190 home<\/h6>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;3.25.4&#8243; _i=&#8221;1&#8243; _address=&#8221;1.0.1&#8243;][et_pb_text _builder_version=&#8221;3.29.3&#8243; text_font=&#8221;||||||||&#8221; text_text_color=&#8221;#1a1a1a&#8221; text_letter_spacing=&#8221;1px&#8221; text_line_height=&#8221;1.6em&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_phone=&#8221;||||false|false&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; text_font_size_phone=&#8221;15px&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; text_line_height_phone=&#8221;2em&#8221; text_line_height_last_edited=&#8221;on|phone&#8221; text_text_color__hover_enabled=&#8221;on&#8221; _i=&#8221;0&#8243; _address=&#8221;1.0.1.0&#8243;]<\/p>\n<p>Excerpts from my notes on the new interpretation of \u201cPlatonov\u201d for Juliusz Osterwa Theatre in Lublin:<\/p>\n<p>\u201cMy suggestions:<\/p>\n<p>&#8211; the characters from \u201cPlatonov\u201d are the prototypes of the characters from Chekhov\u2019s works, as well as the archetypes of human behavior;<\/p>\n<p>&#8211; Platonov is timeless like all other characters in the play. They were created in 1881, appeared on stages throughout the 20th century and continue to do so at the beginning of the 21st century; Platonov is an idea, he symbolizes a man with ambitions that withered when confronted with reality, he wanted to achieve something, but he lacked determination, energy, passion, confidence;<\/p>\n<p>&#8211; the protagonists talk about ideas and the future, but they wait for the changes to happen on their own, but time follows its course; and even if they want to change something \u2013 their actions are merely appearances and go beyond using social status as an excuse<\/p>\n<p>\u2013 the characters steal each other\u2019s lines, they skip lines or say them without giving meaning to the words, or make them shorter; the historic time can be heard in their words only from time to time, although its passing should be stated clearly;<\/p>\n<p>&#8211; Platonov gets killed, but somebody else takes his duties, so that the play can end with repeating the first scene with a new character in place of Platonov \u2013 a woman, a Jew?;<\/p>\n<p>&#8211; ideas lose to trivial needs and shallow passions;<\/p>\n<p>&#8211; history has treated Chekhov\u2019s characters very ruthlessly. The majority would probably die during the revolution; some would be locked up in a looney bin. I\u2019m thinking about treating Platonov as a symbol of the downfall of intelligence, a downfall that cannot be stopped;<\/p>\n<p>&#8211; the majority of psychiatric disorders at the turn of the 19th and 20th centuries stemmed from inaction, inability to channel one\u2019s life energy, of course with time mental disorders became identified with inability to adapt to social norms, or were seen as a rebellion against established rules of life;<\/p>\n<p>&#8211; comparing with modern times: a multitude of Platonovs, in some circles there\u2019s more pressure on action, movement and constant development, to the point when one has no time left to enjoy this self-development; the situation is reversed, as the multitude of possibilities seems as a chance to take action; the barrier of family background still exists, so the frustration and apathy are even bigger;<\/p>\n<p>&#8211; Platonov is the unknown in the equations that are his relations with other characters: <br \/>he mocks the illusion of change and feelings, he exposes the attitudes of \u201ca new man\u201d, \u201ca liberated woman\u201d, he detects hypocrisy, exposes false statements and lack of principles, he causes unease, the need to explain yourself, he goes to extremes on purpose, bringing to light people\u2019s real motives and characters;<\/p>\n<p>&#8211; Osip is a version of Platonov that has nothing to lose and has no illusions about people, a cynic;<\/p>\n<p>&#8211; Nikolai is a version of Platonov who chose the path of foolery, he has no principles;<\/p>\n<p>&#8211; Wiengierowich, the Son \u2013 he\u2019s a contemporary take on Platonov, full of disregard for those who do not act although they have the means to do so, he has a superiority complex, with which he\u2019s trying to mask his complex of otherness, in the end he\u2019s unwilling to leave his gold chains \u2013 the symbol of the power of money;<\/p>\n<p>&#8211; Glagolyev ia a romantic version of Platonov stuck in the past;<\/p>\n<p>&#8211; Glagolyev, the Son \u2013 a self-obsessed version of Platonov, ready to sacrifice his father\u2019s feelings in order to preserve his comfortable life;<\/p>\n<p>&#8211; and Platonov himself is suspended among all of them. He fees off their energy, but at the same time the more he sucks on their blood, the more he becomes soaked with it: he loses his dignity and his illusions;<\/p>\n<p>&#8211; Platonov is not the Evil or the Demiurge, but rather a bad virus, which causes different symptoms for everybody, depending on their immunity<\/p>\n<p>(that way we can end with Chekhov \u2013 the doctor)\u201d.<\/p>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=&#8221;49475,49474,49473&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;3.29.3&#8243; auto=&#8221;on&#8221; _i=&#8221;1&#8243; _address=&#8221;1.0.1.1&#8243;][\/et_pb_gallery][et_pb_text quote_border_color=&#8221;#1fd7e0&#8243; module_id=&#8221;stop&#8221; _builder_version=&#8221;3.29.3&#8243; text_font=&#8221;|600|||||||&#8221; text_text_color=&#8221;#1a1a1a&#8221; text_font_size=&#8221;40px&#8221; text_line_height=&#8221;1.5em&#8221; quote_font=&#8221;|300|on||||||&#8221; quote_text_align=&#8221;left&#8221; quote_text_color=&#8221;rgba(26,26,26,0.38)&#8221; quote_font_size=&#8221;20px&#8221; quote_letter_spacing=&#8221;1px&#8221; quote_line_height=&#8221;1.3em&#8221; custom_margin=&#8221;40px||40px||false|false&#8221; custom_margin_tablet=&#8221;35px||35px||false|false&#8221; custom_margin_phone=&#8221;30px||30px||false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; animation_style=&#8221;fade&#8221; animation_delay=&#8221;100ms&#8221; animation_speed_curve=&#8221;ease-in&#8221; text_font_size_tablet=&#8221;30px&#8221; text_font_size_phone=&#8221;20px&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; text_line_height_phone=&#8221;1.6em&#8221; text_line_height_last_edited=&#8221;on|phone&#8221; quote_font_size_tablet=&#8221;18px&#8221; quote_font_size_phone=&#8221;16px&#8221; quote_font_size_last_edited=&#8221;on|phone&#8221; _i=&#8221;2&#8243; _address=&#8221;1.0.1.2&#8243;]<\/p>\n<blockquote>\n<p>I didn\u2019t choose a career for myself and I didn\u2019t make a mistake.<\/p>\n<p>I never chose anything and I never made anything.<\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;3.29.3&#8243; header_font=&#8221;||||||||&#8221; header_6_font=&#8221;Ubuntu|||on|||||&#8221; header_6_text_color=&#8221;#999999&#8243; header_6_font_size=&#8221;15px&#8221; custom_margin=&#8221;2vh||||false|false&#8221; custom_margin_phone=&#8221;||-3vh||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;fade&#8221; animation_direction=&#8221;left&#8221; animation_duration=&#8221;700ms&#8221; link_option_url=&#8221;https:\/\/dana.lu\/pl\/en\/&#8221; header_6_text_color__hover_enabled=&#8221;on&#8221; header_6_text_color__hover=&#8221;#2ac8ed&#8221; _i=&#8221;3&#8243; _address=&#8221;1.0.1.3&#8243;]<\/p>\n<h6>\u2190 home<\/h6>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;wiecej projektow&#8221; module_id=&#8221;stop&#8221; _builder_version=&#8221;3.29.3&#8243; locked=&#8221;off&#8221; fb_built=&#8221;1&#8243; _i=&#8221;2&#8243; _address=&#8221;2&#8243;][et_pb_row _builder_version=&#8221;3.29.3&#8243; _i=&#8221;0&#8243; _address=&#8221;2.0&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25.4&#8243; _i=&#8221;0&#8243; _address=&#8221;2.0.0&#8243;][et_pb_divider color=&#8221;#1fd7e0&#8243; divider_weight=&#8221;4px&#8221; _builder_version=&#8221;3.25.4&#8243; width=&#8221;100%&#8221; height=&#8221;30px&#8221; custom_margin=&#8221;-30px||20px&#8221; custom_margin_tablet=&#8221;-35px|||&#8221; custom_margin_phone=&#8221;-40px||&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; _i=&#8221;0&#8243; _address=&#8221;2.0.0.0&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;3.29.3&#8243; text_font=&#8221;|600||on|||||&#8221; text_text_color=&#8221;#1a1a1a&#8221; text_letter_spacing=&#8221;2px&#8221; custom_margin=&#8221;-20px||5vh||false|false&#8221; custom_margin_phone=&#8221;-25px||||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; _i=&#8221;1&#8243; _address=&#8221;2.0.0.1&#8243;]<\/p>\n<p>more projects: theatre \u2013 dramatic plays<\/p>\n<p>[\/et_pb_text][dica_divi_carousel show_items_desktop=&#8221;3&#8243; arrow_nav=&#8221;on&#8221; arrow_position=&#8221;on&#8221; arrow_show_hover=&#8221;off&#8221; item_spacing_last_edited=&#8221;off|desktop&#8221; equal_height=&#8221;on&#8221; advanced_effect=&#8221;1&#8243; arrow_font_size=&#8221;52px&#8221; arrow_nav_color=&#8221;#1fd7e0&#8243; dots_color=&#8221;#c9c9c9&#8243; dots_active_color=&#8221;#1fd7e0&#8243; innercontent_padding=&#8221;|0||0|false|false&#8221; arrow_font_size_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;Teatr moje teksty &#8211; karuzela&#8221; _builder_version=&#8221;3.29.3&#8243; title_font=&#8221;||||||||&#8221; custom_margin=&#8221;-2%||||false|false&#8221; custom_margin_tablet=&#8221;-3%||||false|false&#8221; custom_margin_phone=&#8221;-8%||||false|false&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; title_font_size_tablet=&#8221;18px&#8221; title_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; _i=&#8221;2&#8243; _address=&#8221;2.0.0.2&#8243;][dica_divi_carouselitem title=&#8221;The Auditor&#8221; 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