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Tekst: Dana \u0141ukasi\u0144ska<\/b><\/p>\n
Wykonanie: Monika D\u0105browska<\/b><\/p>\n
Re\u017cyseria: Stanis\u0142aw Miedziewski<\/b><\/p>\n
Wizualizacje: Ludomir Franczak<\/b><\/p>\n
Muzyka: Marcin Dymiter<\/b><\/p>\n
Kostium: Magdalena Franczak<\/b><\/p>\n
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Tekst \u201eOlga. Eine charmante Frau\u201d oparty jest na losach Olgi Czechowej, aktorki niemieckiej i nazistowskiej, bardziej znanej jako Olga Tschechowa. Ta urodzona w carskiej Rosji bratanica Olgi Knipper-Czechowej \u2013 \u017cony s\u0142awnego dramaturga, Antona Czechowa \u2013 \u017cy\u0142a w okrutnych, a zarazem ciekawych czasach: prze\u017cy\u0142a obie wojny \u015bwiatowe, by\u0142a \u015bwiadkiem rewolucji pa\u017adziernikowej i wojny ojczy\u017anianej. Los zetkn\u0105\u0142 j\u0105 z dwoma najstraszniejszymi w dziejach ludzko\u015bci totalitaryzmami: stalinizmem i hitleryzmem. Olga, na przek\u00f3r pogmatwanych tor\u00f3w historii, chcia\u0142a realizowa\u0107 swoje w\u0142asne ambicje. Chcia\u0142a gra\u0107. Chcia\u0142a by\u0107 aktork\u0105. W teatrze i w filmie. Jej determinacja, by odmieni\u0107 swoje \u017cycie i sta\u0107 si\u0119 pani\u0105 samej siebie, by\u0142y przeogromne. By\u0142a sk\u0142onna po\u015bwi\u0119ci\u0107 wiele, by osi\u0105gn\u0105\u0107 cel. Sta\u0142a si\u0119 aktork\u0105. Gra\u0142a w filmach: najpierw niemych, potem ud\u017awi\u0119kowionych. Wyst\u0119powa\u0142a te\u017c na scenie. W czasach, gdy miliony ludzi umiera\u0142y na bezkresach Kazachstanu lub Syberii, albo w hitlerowskich obozach zag\u0142ady, Olga realizowa\u0142a swe dziewcz\u0119ce marzenia. Jak jej si\u0119 to uda\u0142o?\u00a0 Pono\u0107 flirtowa\u0142a z w\u0142adzami sowieckiej Rosji i nazistowskimi kacykami. Pono\u0107 by\u0142a rosyjskim szpiegiem. Pono\u0107 by\u0142a ulubion\u0105 aktork\u0105 Hitlera. Pono\u0107 mia\u0142a wzi\u0105\u0107 udzia\u0142 w zamachu na Hitlera zaplanowanym przez Stalina. Pono\u0107.<\/p>\n<\/div>\n<\/div>\n
[\/et_pb_text][et_pb_text quote_border_color=”#1fd7e0″ _builder_version=”3.29.3″ text_font=”|600|||||||” text_text_color=”#1a1a1a” text_font_size=”40px” text_line_height=”1.5em” quote_font=”|300|on||||||” quote_text_align=”left” quote_text_color=”rgba(26,26,26,0.38)” quote_font_size=”20px” quote_letter_spacing=”1px” quote_line_height=”1.3em” custom_margin=”40px||40px||false|false” custom_margin_tablet=”35px||35px||false|false” custom_margin_phone=”30px||30px||false|false” custom_margin_last_edited=”on|tablet” animation_style=”fade” animation_delay=”100ms” animation_speed_curve=”ease-in” text_font_size_tablet=”30px” text_font_size_phone=”20px” text_font_size_last_edited=”on|desktop” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” quote_font_size_tablet=”18px” quote_font_size_phone=”16px” quote_font_size_last_edited=”on|phone” _i=”1″ _address=”1.0.1.1″]<\/p>\n
\n\u201cKolejny rozw\u00f3d… No nie lubi\u0119, gdy milionerzy nie maj\u0105 pieni\u0119dzy. \u201c
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\n\nJest wiele plotek o Oldze. Ona sama k\u0142ama\u0142a o sobie tak du\u017co i cz\u0119sto, \u017ce po latach zacz\u0119\u0142a wierzy\u0107 w swoje zmitologizowane \u017cycie. Klucz\u0105c i konfabuluj\u0105c, poruszaj\u0105c si\u0119 mi\u0119dzy wrogimi systemami, straci\u0142a poczucie rzeczywisto\u015bci. Chc\u0105c prze\u017cy\u0107 za wszelk\u0105 cen\u0119, systematycznie traci\u0142a co\u015b bezsprzecznie cennego: prawd\u0119 o sobie i prawd\u0119 w sobie.<\/p>\n<\/div>\n<\/div>\n
[\/et_pb_text][et_pb_gallery gallery_ids=”48382,48383,48384″ fullwidth=”on” hover_icon=”%%0%%” _builder_version=”3.29.3″ pagination_font=”||||||||” animation_style=”fade” animation_delay=”50ms” auto=”on” hover_enabled=”0″ _i=”3″ _address=”1.0.1.3″ auto_speed=”5000″][\/et_pb_gallery][et_pb_text quote_border_color=”#1fd7e0″ _builder_version=”3.29.3″ text_font=”|600|||||||” text_text_color=”#1a1a1a” text_font_size=”40px” text_line_height=”1.5em” quote_font=”|300|on||||||” quote_text_align=”left” quote_text_color=”rgba(26,26,26,0.38)” quote_font_size=”20px” quote_letter_spacing=”1px” quote_line_height=”1.3em” custom_margin=”40px||30px||false|false” custom_margin_tablet=”35px||30px||false|false” custom_margin_phone=”30px||20px||false|false” custom_margin_last_edited=”on|phone” animation_style=”fade” animation_delay=”100ms” animation_speed_curve=”ease-in” text_font_size_tablet=”30px” text_font_size_phone=”20px” text_font_size_last_edited=”on|desktop” text_line_height_phone=”1.6em” text_line_height_last_edited=”on|phone” quote_font_size_tablet=”18px” quote_font_size_phone=”16px” quote_font_size_last_edited=”on|phone” _i=”4″ _address=”1.0.1.4″]<\/p>\n
\n\u201cHiena Dietrich?
Przereklamowana. Sztuczna.\u201c<\/p>\n<\/blockquote>\n[\/et_pb_text][et_pb_text _builder_version=”3.29.3″ text_font=”||||||||” text_text_color=”#1a1a1a” text_letter_spacing=”1px” text_line_height=”1.8em” custom_margin=”0px||||false|false” custom_margin_phone=”||||false|false” custom_margin_last_edited=”on|desktop” text_font_size_phone=”15px” text_font_size_last_edited=”on|desktop” text_line_height_phone=”2em” text_line_height_last_edited=”on|phone” _i=”5″ _address=”1.0.1.5″ text_text_color__hover_enabled=”on”]<\/p>\n
\n\nNa scenie jest jedna aktorka i wiele Olg: aktorka (Schauspielerin), szpieg (Spion), w\u0142a\u015bcicielka salon\u00f3w kosmetycznych (Frau).\u00a0 Olga nak\u0142ada kolejne maski, by chroni\u0107 siebie przed Histori\u0105, by osi\u0105gn\u0105\u0107 prywatny cel. Ale po pewnym czasie przestaje by\u0107 pani\u0105 siebie, a nawet pani\u0105 swoich masek. Staje si\u0119 trybikiem w machinach totalitaryzm\u00f3w, kt\u00f3re za nic maj\u0105 \u017cycie pojedynczego cz\u0142owieka. Aby przetrwa\u0107 musi uwierzy\u0107, \u017ce to ona poci\u0105ga za sznurki, tworzy wi\u0119c kolejne fabu\u0142y na temat swojego \u017cycia, miesza fikcj\u0119 ekranu kinowego z w\u0142asnym \u017cyciem. Upi\u0119ksza i koloryzuje, by nie czu\u0107 b\u00f3lu i pustki. Chce ju\u017c tylko prze\u017cy\u0107.
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\n\u201cU mnie wszystko dobrze. Gram jak szalona. Kilka film\u00f3w rocznie. Po co, po co. \u017beby zbi\u0107 kapita\u0142. Potem zaczn\u0119 \u017cy\u0107.\u201d<\/p>\n<\/blockquote>\n
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\n\nTekst otrzyma\u0142 wyr\u00f3\u017cnienie podczas 17. Og\u00f3lnopolskiego Konkursu Na Wystawienie Polskiej Sztuki Wsp\u00f3\u0142czesnej<\/p>\n<\/div>\n<\/div>\n
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\n\u201cJeszcze tylko ta jedna rola i odpuszcz\u0119\u2026\u201d<\/p>\n<\/blockquote>\n
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Fragmenty teks\u00f3w do pobrania:<\/p>\n
[\/et_pb_text][et_pb_button button_url=”https:\/\/dana.lu\/pl\/wp-content\/uploads\/2019\/09\/Olga.-Eine-charmante-Frau_Dana-\u0141ukasin\u0301ska_PL.pdf” url_new_window=”on” button_text=”po polsku” button_alignment=”center” module_class=”et-download-button” _builder_version=”3.25.4″ custom_button=”on” button_text_color=”#2ac8ed” button_border_width=”2px” button_border_color=”#2ac8ed” button_border_radius=”50px” button_letter_spacing=”1px” button_font=”|||on|||||” button_icon=”%%24%%” button_icon_color=”#ffffff” button_icon_placement=”left” custom_margin=”5vh||” custom_margin_phone=”12vh||6vh” custom_margin_last_edited=”on|desktop” button_text_size_tablet=”15px” button_text_size_phone=”12px” button_text_size_last_edited=”off|tablet” button_border_radius_last_edited=”off|desktop” button_text_color__hover=”#ffffff” box_shadow_vertical_button__hover=”5px” box_shadow_vertical_button__hover_enabled=”on” box_shadow_blur_button__hover=”20px” box_shadow_blur_button__hover_enabled=”on” box_shadow_spread_button__hover=”-9px” box_shadow_spread_button__hover_enabled=”on” box_shadow_color_button__hover=”rgba(0,0,0,0.37)” box_shadow_color_button__hover_enabled=”on” button_bg_color__hover_enabled=”on” button_icon_color__hover_enabled=”on” button_bg_color__hover=”#2ac8ed” button_bg_enable_color__hover=”on” button_text_color__hover_enabled=”on” button_icon_color__hover=”#ffffff” _i=”10″ _address=”1.0.1.10″][\/et_pb_button][et_pb_button button_url=”https:\/\/dana.lu\/pl\/wp-content\/uploads\/2019\/09\/Olga.-Eine-charmante-Frau_Dana-\u0141ukasin\u0301ska_DE.pdf” url_new_window=”on” button_text=”po niemiecku” button_alignment=”center” module_class=”et-download-button” _builder_version=”3.25.4″ custom_button=”on” button_text_size=”20px” button_text_color=”#2ac8ed” button_border_width=”2px” button_border_color=”#2ac8ed” button_border_radius=”50px” button_letter_spacing=”1px” button_font=”|||on|||||” button_icon=”%%24%%” button_icon_color=”#ffffff” button_icon_placement=”left” custom_margin=”5vh||5vh” custom_margin_tablet=”6vh||7vh” custom_margin_phone=”6vh||10vh” custom_margin_last_edited=”on|desktop” button_text_size_tablet=”15px” button_text_size_phone=”12px” button_text_size_last_edited=”off|tablet” button_border_radius_last_edited=”off|desktop” button_text_color__hover=”#ffffff” box_shadow_vertical_button__hover=”5px” box_shadow_vertical_button__hover_enabled=”on” box_shadow_blur_button__hover=”20px” box_shadow_blur_button__hover_enabled=”on” box_shadow_spread_button__hover=”-9px” box_shadow_spread_button__hover_enabled=”on” box_shadow_color_button__hover=”rgba(0,0,0,0.37)” box_shadow_color_button__hover_enabled=”on” button_bg_color__hover_enabled=”on” button_icon_color__hover_enabled=”on” button_bg_color__hover=”#2ac8ed” button_bg_enable_color__hover=”on” button_text_color__hover_enabled=”on” button_icon_color__hover=”#ffffff” _i=”11″ _address=”1.0.1.11″][\/et_pb_button][et_pb_text _builder_version=”3.27.4″ header_font=”||||||||” header_6_font=”Ubuntu|||on|||||” header_6_text_color=”#999999″ header_6_font_size=”15px” animation_style=”fade” animation_direction=”left” animation_duration=”700ms” link_option_url=”dana.lu\/pl\/” header_6_text_color__hover_enabled=”on” header_6_text_color__hover=”#2ac8ed” _i=”12″ _address=”1.0.1.12″]<\/p>\n
\u2190 home<\/h6>\n
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Wi\u0119cej projekt\u00f3w: Teatr – moje teksty<\/p>\n
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Olga. Eine charmante frauTekst: Dana \u0141ukasi\u0144ska Wykonanie: Monika D\u0105browska Re\u017cyseria: Stanis\u0142aw Miedziewski Wizualizacje: Ludomir Franczak Muzyka: Marcin Dymiter Kostium: Magdalena Franczak\u2190 home Tekst \u201eOlga. Eine charmante Frau\u201d oparty jest na losach Olgi Czechowej, aktorki niemieckiej i nazistowskiej, bardziej znanej jako Olga Tschechowa. Ta urodzona w carskiej Rosji bratanica Olgi Knipper-Czechowej \u2013 \u017cony s\u0142awnego dramaturga, Antona […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"_links":{"self":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/48367"}],"collection":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/comments?post=48367"}],"version-history":[{"count":12,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/48367\/revisions"}],"predecessor-version":[{"id":50089,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/48367\/revisions\/50089"}],"up":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/media?parent=48367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}