{"id":48324,"date":"2019-09-09T21:41:29","date_gmt":"2019-09-09T21:41:29","guid":{"rendered":"https:\/\/dana.lu\/pl\/?page_id=48324"},"modified":"2019-10-31T13:58:49","modified_gmt":"2019-10-31T13:58:49","slug":"teatr-shakespeare","status":"publish","type":"page","link":"https:\/\/dana.lu\/pl\/home\/teatr-shakespeare\/","title":{"rendered":"Shakespeare"},"content":{"rendered":"

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Shakespeare<\/h2>\n

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Teatr Dramatyczny w Bia\u0142ymstoku<\/b><\/p>\n

rok: 2014<\/b><\/p>\n

tekst sztuki, teksty piosenek: Dana \u0141ukasi\u0144ska<\/b><\/p>\n

re\u017cyseria: Agata Biziuk<\/b><\/p>\n

opracowanie muzyczne, aran\u017cacja piosenek: Piotr Klimek<\/b><\/p>\n

oprawa scenograficzna i kostiumowa: Marika Wojciechowska<\/b><\/p>\n

multimedia: Krzysztof Kiziewicz<\/b><\/p>\n

obsada: Agnieszka Makowska (go\u015bcinnie), Bernard Bania, Piotr Szekowski, Mateusz Witczuk (udzia\u0142 w art-video)<\/b><\/p>\n

zdj\u0119cia: Bartek Warzecha<\/b><\/p>\n

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\u2190 home<\/h6>\n

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\u201eShakespeare\u201d- spektakl po\u015bwi\u0119cony osobie najs\u0142awniejszego dramaturga \u2013 Williama Shakespeare’a i jego tekstom. Ale to \u017cadna po bo\u017cemu skrojona biografia. To kola\u017c z Szekspira. I pewnego rodzaju formu\u0142a filozoficzna. \u201eShakespeare\u201d jest sum\u0105 wra\u017ce\u0144 i skojarze\u0144, nie unika polityczno\u015bci, dotyka zbiorowych do\u015bwiadcze\u0144, miesza estetyki i czasy historyczne, eksperymentuje z form\u0105 i wchodzi w dialog z ideologiczno\u015bci\u0105 naszego \u017cycia, tworz\u0105c subwersywny koktajl.<\/p>\n<\/div>\n<\/div>\n

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\u201cNie \u017ca\u0142uj\u0119 niczego. Urodzi\u0142am si\u0119 w bardzo trudnych czasach. W bardzo trudnych. Zosta\u0142am kr\u00f3low\u0105. Tak chcia\u0142 B\u00f3g. No i frakcje protestanckie.\u201d<\/p>\n<\/blockquote>\n

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William Shakespeare tworzy\u0142 w czasach el\u017cbieta\u0144skich, zwanych tak od rz\u0105dz\u0105cej w\u00f3wczas siln\u0105 r\u0119k\u0105 kr\u00f3lowej, El\u017cbiety Tudor. Za jej panowania dramat zerwa\u0142 z zasad\u0105 trzech jedno\u015bci, teatr zosta\u0142 zinstytucjonalizowany, za\u015b zaw\u00f3d aktora doczeka\u0142 si\u0119 sprofesjonalizowania. Jednocze\u015bnie teatr el\u017cbieta\u0144ski uwik\u0142a\u0142 sztuk\u0119 sceniczn\u0105 w polityk\u0119, przemoc i seks oraz wprowadzi\u0142 na scen\u0119 genderow\u0105 nier\u00f3wno\u015b\u0107, w \u017ce\u0144skich rolach obsadzaj\u0105c ch\u0142opc\u00f3w przed mutacj\u0105. Biografia Williama Shakespeare’a obros\u0142a wieloma teoriami, z kt\u00f3rych cz\u0119\u015b\u0107 nosi znamiona naukowe, a cz\u0119\u015b\u0107 brzmi jak ba\u015b\u0144. Mnie zainteresowa\u0142a zw\u0142aszcza teoria lancasterska, kt\u00f3ra w wielkim skr\u00f3cie sprowadza si\u0119 do stwierdzenia, \u017ce William Shakespeare by\u0142 kryptokatolikiem, dzia\u0142a\u0142 w tajnej organizacji katolickiej i wielokrotnie bywa\u0142 w Rzymie pod zmienionym nazwiskiem. Richard Wilson, jeden z badaczy \u017cycia i tw\u00f3rczo\u015bci Shakespeare’a uwa\u017ca, \u017ce \u201eSzekspir pisa\u0142 swoje sztuki ze \u015bwiadom\u0105 intencj\u0105 ukrycia si\u0119\u201d, oraz \u017ce analizuj\u0105c utwory dramatopisarza, nale\u017cy raczej zaj\u0105\u0107 si\u0119 tym, czego Szekspir w nich nie napisa\u0142.<\/p>\n<\/div>\n<\/div>\n

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\u201cZnana by\u0142am r\u00f3wnie\u017c z wielkiego zaanga\u017cowania
w przes\u0142uchania i tortury”<\/em><\/p>\n<\/blockquote>\n

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Spektakl \u201eShakespeare\u201d \u017congluje teoriami o autorze \u201eRomea i Julii\u201d, bawi si\u0119 kodem znacze\u0144 jego dramat\u00f3w, szuka zjawiska \u201eszekspirowo\u015bci\u201d w przestrzeni prywatnej aktor\u00f3w, teatru, polityki, wreszcie w\u0142adzy czy ca\u0142ego narodu. M\u00f3wi o tym, \u017ce dzisiejsz\u0105 przestrze\u0144 kultury, na wz\u00f3r el\u017cbieta\u0144ski, coraz bardziej zaw\u0142aszcza polityka, religia, strach przed tzw. Innym, przed seksualno\u015bci\u0105, p\u0142ciowo\u015bci\u0105 i ich redefinicjami. Shakespeare uwa\u017ca\u0142 teatr za lustro, w kt\u00f3rym odbija si\u0119 rzeczywisto\u015b\u0107. I jak wam si\u0119 podoba to, co w nim widzicie?
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\u201cDRAMATOPISARZ: Wasza kr\u00f3lewska mo\u015b\u0107,
m\u00f3j bohater sam sobie odgryza…<\/em><\/p>\n

KR\u00d3LOWA: Odgryza sobie? Chc\u0119 to zobaczy\u0107.\u201d<\/em><\/p>\n<\/blockquote>\n

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\u201cNad poziomem moralnym teatr\u00f3w czuwa, namaszczony przeze mnie, Mistrz Rozrywek. Ma on prawo sprawdzi\u0107, czy aktor graj\u0105cy rol\u0119 kobiec\u0105 ma pod sukni\u0105 something czy nothing.\u201c<\/em><\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=61byZVpKp9A” _builder_version=”3.25.4″ custom_padding=”||3vh” _i=”9″ _address=”1.0.1.9″][\/et_pb_video][et_pb_text admin_label=”Fragmenty” _builder_version=”3.29.3″ text_font=”|600||on|||||” text_text_color=”#1a1a1a” text_letter_spacing=”2px” custom_margin=”-20px||20px||false|false” custom_margin_tablet=”||15px||false|false” custom_margin_phone=”0px||10px||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||” hover_enabled=”0″ _i=”11″ _address=”1.0.1.11″]<\/p>\n

do pobrania:<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”3.29.3″ text_font=”||||||||” text_text_color=”#1a1a1a” text_letter_spacing=”1px” text_line_height=”1.8em” custom_margin=”0px||||false|false” custom_margin_phone=”||||false|false” custom_margin_last_edited=”on|desktop” text_font_size_phone=”15px” text_font_size_last_edited=”on|desktop” text_line_height_phone=”2em” text_line_height_last_edited=”on|phone” _i=”12″ _address=”1.0.1.12″ text_text_color__hover_enabled=”on”]To s\u0105 pierwsze nagrania piosenek do spektaklu (st\u0105d s\u0142aba jako\u015b\u0107), \u015bpiewaj\u0105 aktorzy i sam kompozytor, Piotr Klimek. W piosence \u201cSerce Szekspira\u201d wnikliwy s\u0142uchacz mo\u017ce rozpozna\u0107 m\u00f3j \u201coazowy\u201d g\u0142os:)<\/p>\n<\/div>\n<\/div>\n

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\u2190 home<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”wiecej projektow – footer” _builder_version=”3.29.3″ locked=”off” fb_built=”1″ _i=”2″ _address=”2″][et_pb_row module_id=”stop” _builder_version=”3.29.3″ _i=”0″ _address=”2.0″][et_pb_column type=”4_4″ _builder_version=”3.25.4″ _i=”0″ _address=”2.0.0″][et_pb_divider color=”#1fd7e0″ divider_weight=”4px” _builder_version=”3.29.3″ width=”100%” height=”30px” custom_margin=”-30px||20px” custom_margin_tablet=”-35px|||” custom_margin_phone=”-40px||” custom_margin_last_edited=”on|tablet” hover_enabled=”0″ _i=”0″ _address=”2.0.0.0″][\/et_pb_divider][et_pb_text _builder_version=”3.29.3″ text_font=”|600||on|||||” text_text_color=”#1a1a1a” text_letter_spacing=”2px” custom_margin=”-20px||5vh||false|false” custom_margin_phone=”-25px||||false|false” custom_margin_last_edited=”on|phone” _i=”1″ _address=”2.0.0.1″ hover_enabled=”0″]<\/p>\n

Wi\u0119cej projekt\u00f3w: Teatr – moje teksty<\/p>\n

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Obyczaje dzikich%22″ image_padding=”0|0|28px|0″ content_padding=”0|0||0″ _builder_version=”3.29.3″ title_font=”Ubuntu||||||||” title_text_align=”center” title_text_color=”#6b6b6b” title_letter_spacing=”1px” title_line_height=”1.2em” custom_margin=”0px||” custom_padding=”||20px” link_option_url=”https:\/\/dana.lu\/pl\/home\/teatr-hibakusha\/” box_shadow_style=”preset3″ box_shadow_vertical=”5px” box_shadow_blur=”25px” box_shadow_spread=”-32px” title_letter_spacing__hover=”2px” custom_margin__hover=”-6px||” custom_margin__hover_enabled=”on” box_shadow_vertical__hover=”3px” box_shadow_blur__hover=”30px” box_shadow_spread__hover=”-13px” box_shadow_spread__hover_enabled=”on” transform_styles__hover_enabled=”on” transform_scale__hover_enabled=”on” transform_translate__hover_enabled=”on” transform_rotate__hover_enabled=”on” transform_skew__hover_enabled=”on” transform_origin__hover_enabled=”on” _i=”9″ _address=”2.0.0.2.9″][\/dica_divi_carouselitem][\/dica_divi_carousel][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

ShakespeareTeatr Dramatyczny w Bia\u0142ymstoku rok: 2014 tekst sztuki, teksty piosenek: Dana \u0141ukasi\u0144ska re\u017cyseria: Agata Biziuk opracowanie muzyczne, aran\u017cacja piosenek: Piotr Klimek oprawa scenograficzna i kostiumowa: Marika Wojciechowska multimedia: Krzysztof Kiziewicz obsada: Agnieszka Makowska (go\u015bcinnie), Bernard Bania, Piotr Szekowski, Mateusz Witczuk (udzia\u0142 w art-video) zdj\u0119cia: Bartek Warzecha\u2190 home \u201eShakespeare\u201d- spektakl po\u015bwi\u0119cony osobie najs\u0142awniejszego dramaturga \u2013 Williama […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"_links":{"self":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/48324"}],"collection":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/comments?post=48324"}],"version-history":[{"count":32,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/48324\/revisions"}],"predecessor-version":[{"id":50067,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/48324\/revisions\/50067"}],"up":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/media?parent=48324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}