{"id":36,"date":"2019-07-17T19:48:11","date_gmt":"2019-07-17T19:48:11","guid":{"rendered":"https:\/\/dana.lu\/pl\/?page_id=36"},"modified":"2019-10-31T14:01:39","modified_gmt":"2019-10-31T14:01:39","slug":"teatr-antygona-w-krynkach","status":"publish","type":"page","link":"https:\/\/dana.lu\/pl\/home\/teatr-antygona-w-krynkach\/","title":{"rendered":"Teatr: Antygona w Krynkach"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” admin_label=”header” _builder_version=”3.25.4″ custom_margin=”||20px” custom_margin_tablet=”||10px” custom_margin_phone=”||0px|” custom_margin_last_edited=”on|desktop” fb_built=”1″ _i=”0″ _address=”0″][et_pb_fullwidth_header title=”Panie, a nie mo\u017cem po nocy s\u0142upy przesun\u0105\u0107? Granica pole mi przeci\u0119\u0142a! Jak wykopki zrobi\u0119?” background_overlay_color=”rgba(61,61,61,0.3)” _builder_version=”3.29.3″ title_level=”h3″ title_font=”|600|||||||” title_text_align=”left” title_font_size=”38px” title_letter_spacing=”1px” title_line_height=”1.5em” subhead_font=”||||||||” subhead_letter_spacing=”1px” use_background_color_gradient=”on” background_color_gradient_start=”rgba(26,26,26,0)” background_color_gradient_end=”rgba(26,26,26,0.25)” background_color_gradient_overlays_image=”on” background_image=”https:\/\/dana.lu\/pl\/wp-content\/uploads\/2019\/08\/Antyhona_header_02.jpg” height_tablet=”35vh” height_phone=”28vh” height_last_edited=”on|phone” custom_margin=”-8vh||||false|false” custom_margin_tablet=”-6vh||||false|false” custom_margin_phone=”-5vh||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”34vh||” custom_padding_tablet=”16vh||||false|false” custom_padding_phone=”9vh|||2px|false|false” custom_padding_last_edited=”on|phone” title_font_size_tablet=”30px” title_font_size_phone=”14px” title_font_size_last_edited=”on|desktop” title_letter_spacing_tablet=”2px” title_letter_spacing_phone=”1px” title_letter_spacing_last_edited=”on|desktop” title_line_height_tablet=”1.3em” title_line_height_phone=”1.4em” title_line_height_last_edited=”on|phone” subhead_font_size_tablet=”16px” subhead_font_size_phone=”14px” subhead_font_size_last_edited=”on|phone” custom_css_main_element=”height: 55vh;” _i=”0″ _address=”0.0″][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Body” _builder_version=”3.29.3″ custom_margin=”||-45px” custom_margin_tablet=”||-40px” custom_margin_phone=”||-20vh||false|false” custom_margin_last_edited=”on|desktop” fb_built=”1″ _i=”1″ _address=”1″][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.29.3″ custom_margin_phone=”-5vh||||false|false” custom_margin_last_edited=”on|phone” _i=”0″ _address=”1.0″][et_pb_column type=”1_3″ _builder_version=”3.25.4″ _i=”0″ _address=”1.0.0″][et_pb_text admin_label=”title” module_id=”sticky” _builder_version=”3.29.3″ header_font=”||||||||” header_2_font=”|600|||||||” header_2_font_size=”60px” header_2_letter_spacing=”3px” header_2_line_height=”1.4em” custom_margin=”||||false|false” custom_margin_tablet=”-40px||||false|false” custom_margin_phone=”-50px||||false|false” custom_margin_last_edited=”on|desktop” header_font_size_last_edited=”off|desktop” header_2_font_size_tablet=”50px” header_2_font_size_phone=”25px” header_2_font_size_last_edited=”on|desktop” _i=”0″ _address=”1.0.0.0″]<\/p>\n

Antygona w Krynkach<\/h2>\n

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tekst oryginalny: Dana \u0141ukasi\u0144ska<\/b><\/p>\n

zdj\u0119cia: Bartek Warzecha
<\/b><\/p>\n

wystawienie: Teatr Dramatyczny w Bia\u0142ymstoku pod tytu\u0142em \u201cAntyhona\u201d<\/b><\/p>\n

re\u017cyser: Agnieszka Korytkowska-Mazur<\/b><\/p>\n

rok: 2014<\/b><\/p>\n

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\u2190 home<\/h6>\n

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Krynki, w kt\u00f3rych dzieje si\u0119 moja Antygona, to miasto skrzywdzone. Tu\u017c przed rozpocz\u0119ciem prac nad \u201cAntygon\u0105 w Krynkach\u201d (tekst zosta\u0142 wystawiony jako \u201cAntyhona\u201d, z typowym bia\u0142oruskim \u201ch\u201d) sko\u0144czy\u0142am tekst \u201eHannah Arendt mnie nie kocha\u201d. Tytu\u0142 dramatu odnosi si\u0119 do s\u0142\u00f3w, kt\u00f3re Hannah Arendt skierowa\u0142a do Gershoma Scholema w li\u015bcie, napisanym w roku 1963, tu\u017c po ukazaniu si\u0119 jej ksi\u0105\u017cki \u201eEichmann w Jerozolimie\u201d. Scholem zarzuci\u0142 Arendt brak Ahabath Israel <\/i>– mi\u0142o\u015bci do narodu \u017cydowskiego. Arendt odpowiedzia\u0142a mu: \u201eNigdy w \u017cyciu nie darzy\u0142am \u201emi\u0142o\u015bci\u0105\u201d \u017cadnego narodu czy zbiorowo\u015bci \u2013 ani narodu niemieckiego, ani francuskiego, ani ameryka\u0144skiego, ani klasy robotniczej, ani niczego w tym rodzaju. W istocie kocham \u201etylko\u201d mych przyjaci\u00f3\u0142, a jedynym rodzajem mi\u0142o\u015bci jaki znam i w jaki wierz\u0119, jest mi\u0142o\u015b\u0107 do os\u00f3b.\u201d\u00a0<\/i><\/p>\n<\/div>\n<\/div>\n

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\u201cHistoria b\u0119dzie si\u0119 powtarza\u0107, dop\u00f3ki ludzie nie zaczn\u0105 jej s\u0142ucha\u0107.\u201d<\/p>\n<\/blockquote>\n

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W pewnym sensie\u201eAntyhona\u201d podejmuje dyskusj\u0119 na temat tego arendtowskiego braku mi\u0142o\u015bci do narodu, czy zbiorowo\u015bci. Bohaterowie \u201eAntyhony\u201d kochaj\u0105 nie nar\u00f3d czy kraj, tylko ziemi\u0119 ojc\u00f3w, w kt\u00f3rej z\u0142o\u017cone s\u0105 ko\u015bci ich przodk\u00f3w, t\u0119, kt\u00f3ra karmi swoimi plonami, i w kt\u00f3rej tkwi\u0105 fundamenty ich rodzinnego domu. \u201eJa tutejsza\u201d – m\u00f3wi o sobie na przes\u0142uchaniu Ksenia, Polka prawos\u0142awnego wyznania. W czasach, gdy co rusz zmienia\u0142y si\u0119 rz\u0105dy i rz\u0105dz\u0105cy, kiedy zmienia\u0142y si\u0119 pa\u0144stwa, jedynym wyznacznikiem to\u017csamo\u015bci pozostawa\u0142o miejsce zamieszkania, pole uprawiane od dziada pradziada, historia korzeni w\u0142asnej rodziny z orbit\u0105 s\u0105siad\u00f3w, i to te\u017c tych najbli\u017cszych, z kt\u00f3rymi graniczy si\u0119 przez p\u0142ot czy miedz\u0119. \u201eAntyhona\u201d porusza kwesti\u0119 przesuwania granic, tragicznych wybor\u00f3w lub odg\u00f3rnych decyzji o przynale\u017cno\u015bci narodowej, kt\u00f3rych dokonywano w Polsce, w Krynkach i okolicach, tu\u017c na granicy ze Zwi\u0105zkiem Radzieckim, w roku 1947.<\/p>\n<\/div>\n<\/div>\n

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\u201cMy s\u0105 Polaki i katoliki. My w Boga wierzym. Jak trzeba by\u0142o, \u017byd\u00f3w si\u0119 bi\u0142o, ale by zabi\u0107? Przecie\u017c to grzech jest. Chocia\u017c to \u017bydzi Pana Jezusa\u2026\u201d<\/p>\n<\/blockquote>\n

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Napisa\u0142am \u201eAntyhon\u0119\u201d, bo mog\u0142abym powt\u00f3rzy\u0107 za Marci Shore: \u201eSkoro historia sama w sobie nie ma \u017cadnego pierwotnego sensu, to ma go pisanie historii. A \u00f3w sens, nazwijmy go celem moralnym, to piel\u0119gnacja zdolno\u015bci do wykonywania przeskok\u00f3w wyobra\u017ani \u2013 do umys\u0142\u00f3w innych i \u017cycia innych \u2013 to znaczy piel\u0119gnacja empatii, wsp\u00f3\u0142odczuwania.\u201d\u00a0<\/i>
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“Smieszne. Bie\u0142orusska familia, \u017cywiotie na sowieckoj zielmi, a gawaritie, szto wy Polka. Spraszu je\u015bsio raz. Kto wy?\u201d<\/p>\n<\/blockquote>\n

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Fragmenty teks\u00f3w do pobrania:<\/p>\n

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\u2190 home<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”wiecej projektow – footer” _builder_version=”3.29.3″ locked=”off” fb_built=”1″ _i=”2″ _address=”2″][et_pb_row module_id=”stop” _builder_version=”3.29.3″ _i=”0″ _address=”2.0″][et_pb_column type=”4_4″ _builder_version=”3.25.4″ _i=”0″ _address=”2.0.0″][et_pb_divider color=”#1fd7e0″ divider_weight=”4px” _builder_version=”3.29.3″ width=”100%” height=”30px” custom_margin=”-30px||20px” custom_margin_tablet=”-35px|||” custom_margin_phone=”-40px||” custom_margin_last_edited=”on|tablet” _i=”0″ _address=”2.0.0.0″][\/et_pb_divider][et_pb_text _builder_version=”3.29.3″ text_font=”|600||on|||||” text_text_color=”#1a1a1a” text_letter_spacing=”2px” custom_margin=”-20px||5vh||false|false” custom_margin_phone=”-25px||||false|false” custom_margin_last_edited=”on|phone” _i=”1″ _address=”2.0.0.1″]<\/p>\n

Wi\u0119cej projekt\u00f3w: Teatr – moje teksty<\/p>\n

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Antygona w Krynkachtekst oryginalny: Dana \u0141ukasi\u0144ska zdj\u0119cia: Bartek Warzecha wystawienie: Teatr Dramatyczny w Bia\u0142ymstoku pod tytu\u0142em \u201cAntyhona\u201d re\u017cyser: Agnieszka Korytkowska-Mazur rok: 2014\u2190 home Krynki, w kt\u00f3rych dzieje si\u0119 moja Antygona, to miasto skrzywdzone. Tu\u017c przed rozpocz\u0119ciem prac nad \u201cAntygon\u0105 w Krynkach\u201d (tekst zosta\u0142 wystawiony jako \u201cAntyhona\u201d, z typowym bia\u0142oruskim \u201ch\u201d) sko\u0144czy\u0142am tekst \u201eHannah Arendt mnie […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"_links":{"self":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/36"}],"collection":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":101,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/36\/revisions"}],"predecessor-version":[{"id":50071,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/36\/revisions\/50071"}],"up":[{"embeddable":true,"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/dana.lu\/pl\/wp-json\/wp\/v2\/media?parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}